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Anupamaa Cast Welcomes Ganpati Bappa on Set With Devotion
Rupali Ganguly, Ishika Shahi and the Anupamaa team welcome Ganpati Bappa on set with traditional Aagman and Stapna Poojan rituals, celebrating Ganesh Chaturthi.
Key Highlights:
- The Anupamaa team welcomed Ganpati Bappa on set with traditional Aagman and Stapna Poojan rituals.
- Cast members Rupali Ganguly, Adrija Roy, Shivam Khajuria, Nidhi Shetty and Manish Naggdev joined the festivities.
- Ishika Shahi, associated with the show's production, was also present for the celebrations.
- Television fraternity guests including Rushad Rana, Nishi Saxena, Sagar Parekh and Gaurav M. Sharma joined to seek Bappa's blessings.
- The celebration reflected the themes of family and togetherness central to Anupamaa's storytelling, produced by Rajan Shahi and Deepa Shahi under Directors Kut Productions.
A Festive Welcome on the Anupamaa Set
The festive spirit of Ganesh Chaturthi filled the sets of Rajan Shahi and Deepa Shahi's "Anupamaa" as the cast and crew came together to welcome Ganpati Bappa with prayers, devotion and festive cheer, turning the shooting floor into a space of celebration well beyond its usual on-screen storytelling.
The Rituals That Marked the Occasion
The celebrations began with the auspicious Ganpati Aagman and Stapna Poojan, as the "Anupamaa" family formally welcomed Bappa onto the sets and sought his blessings for happiness, prosperity and success in the days ahead. These rituals, central to Ganesh Chaturthi observances across Indian households, were recreated on set with the same devotion typically reserved for private family celebrations.
Cast Members Who Joined the Festivities
Among the cast members present for the celebrations were Rupali Ganguly, Adrija Roy, Shivam Khajuria, Nidhi Shetty and Manish Naggdev. The actors actively participated in the festivities, joining the traditional rituals alongside the rest of the production team, turning the occasion into a genuinely shared moment for the entire crew rather than a purely ceremonial gesture.
