TORA & TORY Debuts with A Stone-Setting Technique New to The Indian Market

That conviction shows up most visibly in what JR Nagrath calls the Cliff Setting, formally the T&T Cliff Set. To understand why it is significant, it helps to understand what every other setting is doing. A bezel wraps the stone in metal, and even a collet of prongs holds it in place with tiny claws. A tension setting grips it between the two ends of the band. All of them, in some way, announce themselves. You see the setting as much as you see the stone. The Cliff Setting does the opposite. It is a hybrid of all three approaches, angled at roughly 30 degrees, engineered so that the stone appears to push through the surface of the metal rather than sit on top of it. The effect is exactly what the name suggests: a rock protruding out of a cliff face at low tide, dimensional and uninterrupted, as though it simply grew there. Four months of trial and error, and a process of meticulously annealing and hardening each setting by hand, went into making that illusion hold.

The gemstones it holds are 100% natural, sourced in rough form directly from their respective mines before being cut and polished by the label’s partners in Jaipur. Nothing treated, nothing synthetic. The stones are chosen before the designs are finalized, not after. Built around the use of real gemstones, the label emphasizes authenticity and traceability at every stage of production

What makes TORA & TORY unusual is that its ambitions sit in two directions at once. On the one hand, it is pushing into new territory with innovations like the Cliff Setting and a bespoke in-house manufacturing unit built to a level of precision rare in Indian jewellery. On the other, it is pulling from techniques that the industry is quietly letting go of. Hand-push engraving. Traditional hand-setting of stones. Hand-texturing. The Fibonacci sequence as a ratio framework. Microscopic scrutiny as a finishing standard. These are not talking points. They are how the label actually works.

TORA & TORY will release at most two or three collections a year, each limited in run. Once a piece sells, it does not come back. The label operates on an acquisition-by-selection model, meaning it chooses its clients as much as its clients choose it. Each season, a small number of people are invited to become caretakers of the work, with a personalized experience built around every purchase. It is a deliberate pace and a deliberate distance from volume, even as the brand reimagines everyday jewellery through a more collectible, craft-led lens.

The debut collection is available now.

For enquiries, contact :

Website: toratory.com
Email: care@toratory.com

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